A Brief history of Guitar Amplifier

The first guitar amplifier from the first appearance in 1930. This is intended for use with electric guitars and worked with the introduction of electrolytic capacitors and rectifier tubes, which allows the internal power generation. All he had to do now is connect the power cord. This means that the number of heavy batteries and large no longer needed.

Original guitar amplifiers in the range of acoustic guitars. 1930 and 1940, but gained popularity Hawaiian music, and this is the amplified lap steel Hawaiian guitar made more widely available. Electronic amplifier for the guitar, so they are very popular. The first known guitar amplifiers using simple controls to set the tone controls Treble Boost. But the overall quality of the treble and bass response is very low because of the speakers and controls. The power amplifier itself is very small, typically 15 watts of power or less the first half of 1950. Some models are improved, including electronic tremolo and / or spring reverb. Fender tremolo first described as a "vibrato". Mentioned in Fender amp vibrato is one of the Stratocaster tremolo bar.

In the 60 years of avant-garde guitarists began experimenting with the effects of distortion caused by overloading or deliberately overloading the amplifier produced. Among these were The Kinks guitarist Dave Davies, who created the first effects of distortion by connecting an amplifier with input other amps. The resulting sound is something that designers of this amp may not have in mind. As a guitar amp started to grow, a leading manufacturer of integrated pre-amplifier to control the distortion. Other systems have been integrated to produce a guitarist, like a distortion of safe and consistent. These effects include up fuzz box. Today, the effects of distortion is an important part of the various forms of guitar playing.

In principle, guitar amplifiers used with electronic keyboards and bass guitar. But other guitars use a variety of speaker systems, and different power levels of voices higher bandwidth. Creating the ability to mimic the low frequency electronics keyboard and bass, you need more power amplifier. This is especially true if you need a large number of seats. Copy the low frequency fields, you need a subwoofer or subwoofer is equipped to handle low frequencies. You also need a cage loudspeaker designed to reproduce low frequencies. Speaker is required to design and build bigger and more powerful than the high frequency and midrange sound.
Source: http://www.guitarprotege.com